• Joseph DeLappe: Tactical Resistance, Requiem for the Fall

    Joseph DeLappe: Tactical Resistance, Requiem for the Fall

    Proyectos Raul Zamudio is pleased to present Joseph DeLappe: Tactical Resistance, Requiem for the Fall, a mixed-media, solo exhibition of works-on-paper, prints, photographs, video, sculpture, and AI-based artworks.

    In the words of the artist himself: I have been making works that question "American Exceptionalism" for decades; and now, the seemingly unfettered march towards an authoritarian America - coinciding and perhaps aided by an enthusiastic embrace of a purely technocratic worldview as represented by emerging AI technologies. "Tactical Resistance: Requiem for the Fall", features a selection of works engaging themes of religion, politics, AI, war, and remembrance. In these crucial times, how do we, as artists, resist? How do we create works that speak to the all too rapid slide towards authoritarianism in the USA? Featured works include: the AI shallow fake video "The Origins of Totalitarianism: A Reading by Donald Trump"; "Liberty Weeps" 3D print/sculpture; "dead-in-iraq" gaming intervention and memorial; "The Computerized Confessional" AI priest/chatbot; and "The Atone Project: Remembering the Ahmadi's", rubbings taken from the World Trade Center Site Memorial, among others.

    Joseph DeLappe, born San Francisco 1963, is an artist, activist and educator, he relocated to Scotland from the USA in 2017 where he is the Professor of Games and Tactical Media at Abertay University, Dundee. Working with electronic and digital media since 1983, projects in online gaming performance, sculpture and electromechanical installation have been shown throughout the world. He has developed works for venues such as Eyebeam Art and Technology in New York, The Guangdong Museum of Art, China, the Southern Utah Museum of Art and Transitio MX, Mexico City, among many others. Creative works and actions have been featured widely in scholarly journals, books and in the popular media, including the New York Times, The Australian Morning Herald, Art in America, The Guardian and the BBC. He has authored several book chapters, including “Me and My Predator(s): Tactical Remembrance and Critical Atonement, Drone Aesthetics: War, Culture, Ecology, Open Humanties Press, 2022; “Making Politics: Engaged Social Tactics, A conversation between Joseph DeLappe and Dr. Laura Leuzzi”, Art as Social Practice: Technologies for Change, Routledge, 2022; and co-edited with Leuzzi, the book “INCITE: Digital Art and Activism”, 2023, Peacock Visual Arts.


  • Tryst Alternative Art Fair

    Tryst Alternative Art Fair

    AUGUST 23-25, 2024

    Del Amo Crossing
    21535 Hawthorne Blvd, Torrance, CA 90503

    ADMISSION is FREE

    Friday August 23: VIP Opening - 4-6pm
    Networking for participating artists 12:30-3:00pm
    Opening remarks: 3-4pm

    Saturday August 24: Open 12-6pm
    After party at the Bendix Building 7-10pm

    Sunday August 25: Open 12-6pm
    Panel discussions:
    1-2pm - Networking for the socially anxious artist
    3-4pm - Initiating a successful gallery exchange

    TRYST Participants:
    Visiting Collectives: AAC Platform (Italy), After Time (Portland, OR), Art Center of Social Studies (Armenia),
    ARTSPACEMEXICO (Mexico), Available Art Space Projects (Las Vegas, NV), DE BOUWPUT (The Netherlands), Dinghy Rig
    (Fort Collins, CO), Eitoeiko (Japan), El Quinto Piso (Mexico), ETAJ (Romania), Gallery 70 (Albania), Hyperlink (Colorado),
    iBiennaleX (Hawaii), INSTYTUT AVTOMATYKY (Ukraine), ISG (Norway), MinEastry of Postcollapse Art and Culture
    (Switzerland), nHnT (Chicago, IL), Open O'pen$ (Ukraine), Our Neon Foe (Australia), Proyectos Raul Zamudio (New York,
    NY), PRP Project Space (Dallas, TX), SFAA (Chicago, IL), Small Projects (Norway), The Black Piglet (Mexico), Utopian Mega
    Project (Midwest), Vorderzimmer (Brooklyn, NY).

    California-based Collectives: 515, 3C Gallery Collective, A&T Gallery, Art in Room, Artbug, Artdrop, AWOL, Crear Studio
    Gallery, DMST Atelier, Dorado 806 Projects, Durden and Ray, Erect Walls, Flux Art Space, IDOLWILD, JAUS, Junior High
    LA, Korean American Artist Collective, Landmarks of Art (LOA), MAARLA, Mercury 20 Gallery, The Middle Room, Monte
    Vista Projects, Nous Ance, Noysky Projects, OCCCA (Orange County Center for Contemporary Art), OFFUS, Portuguese
    Bend Projects, Prospect Art, Proxy Gallery, Quiet Please, Ruth Gallery, S-Gallery, Shockboxx, Tiger Strikes Asteroid, Toy
    Bin Art, UOOORS, ViCA (Venice Institute of Contemporary Art), Winslow Garage, Wonzimer, Young Projects.

  • Proyectos Raul Zamudio Presenta:
    Love-ego=LOV
    July 24-August 18
    open Fr-Su, 12-6pm
    opening reception:
    July 24-6-9pm
    Jane's Room/PRZ
    78 Jane St
    NY, NY 10014
    A solo exhibition by Pasha Radetzki of maquettes, small sculptures, videos, and works-on-paper, related to his public sculpture currently on view in Union Square Park in Manhattan, through November 5.
    #pasharadetzki
    #lovsculpt
    #lovartinitiative
    #pasharadetzki
    #Radetzky
    #unionsquareny
    #proyectosraulzamudio
    #wemakehistorynotmoney
    #janesroom
    https://www.amny.com/.../union-square-public-art-program.../

  • Gangwon International Triennale 2024
    Ecological Art from Beneath
    September 26–October 27, 2024

    Curatorial team
    –Artistic Director: Koh Dong-Yeon (Korea, Art Historian, Critic, Adjunct Professor at Ewha Womans University)
    –Commissioner: Raul Zamudio (USA, Critic, Curator, Founder & Director of Proyectos Raul Zamudio, NY); Kodama Kanazawa (Japan, Critic and Art Director, Independent Curator, Kyoto); Richard Streitmatter-Tran (Vietnam, Artist, Independent Curator and Lecturer, Ho Chi Minh City)
    –Curator: Hur Yurim (Korea, Independent Curator and Lecturer)

    Artists
    Ahn Jaehong (Canada-Germany), Ahn Jonghyun (Korea), Ana Mendieta (Cuba-USA), Bosco Sodi (Mexico), Bui Cong Khanh (Vietnam), Chen Xi (China), Cho Youngjoo (Korea), Dennis Oppenheim (USA), Duy-Phuong Le Nguyen (Vietnam), Eelkwon Robert Kim (Korea), George Osodi (Nigeria), Ham Hyekyung (Korea), Han Seokkyung (Korea), Heo Taewon (Korea), Im Sangbin (Korea), Jang Hanna (Korea), Joanna Rajkowska (Poland-UK), Jo Eunmi (Korea), Jung Jungyeob (Korea), Jung Seunghae (Korea), Jung Yeondoo (Korea), Kanain (Korea-UK), Kim Jisoo (Korea), Kim Oksun (Korea), Ken & Julia Yonetani (Japan-Australia), Le Phi Long (Vietnam), Lee Jiyen (Korea), Li Binyuan (China), Lim Seungkyun (Korea), Lim Yoonkyung (Korea), Mary Mattingly (USA), Nana & Felix (Korea - Finland), Ngoc Nau (Vietnam), Oh Soonmi (Korea), Oh Youkyeong (Korea), Parastou Forouhar (Iran-Germany), Park Munhee (Korea), Regina José Galindo (Guatemala), Rivane Neuenschwander and Cao Guimarães (Brazil), Ryu Biho (Korea), Saba Khan of Pak Khawateen Painting Club (Pakistan-UK), Sander Wassink (Netherlands), Shin Gyungjin (Korea), Studio 1750 (Korea), Sugisaki Haruna (Japan), Son Son Son (Korea), Tatiana Wolska (Poland-Belgium), Tomas Saraceno (Argentina-Germany), Yee Sookyung (Korea), Yo-E Ryou (Korea)